Rare Books Blog

February 28, 2010

I have two people to thank for independently solving my Provenance Puzzle #2: my friend the San Antonio tax attorney and bibliophile Farley Katz, and Christopher Frey of Antiquariat Inlibris Gilhofer in Vienna.

The armorial stamp, shown at left, is of the Austrian nobleman Joseph Anton von der Halden (1665-1728) from Vorarlberg, who was created Baron in 1686. The letters around the border of the stamp, “I A E V D H F Z A H Z A V O”, stand for “Ioseph Anton Eusebius von der Halden Freiherr zu Authenried Herr zu Anhofen und Ochsenbrunn.”

This stamp is found on fourteen folio volumes that came to the Lillian Goldman Law Library as part of the Roman-Canon Law Collection of the Association of the Bar of the City of New York. They are all bound in stamped pigskin over wooden boards with rounded spines.

Farley Katz provided his solution via the wonderful Can You Help? website sponsored by the Consortium of European Research Libraries (CERL) and operated by Dr. David Shaw. It enables users to post images and descriptive information for bookplates, armorial stamps, and other provenance evidence that they cannot identify, in the hopes that others can provide answers. It’s crowd-sourcing for provenance research. Farley’s solution to Provenance Puzzle #2 can be found here.

Christopher Frey provided an additional source for von der Halden: Alexander Schneder, “Die Von der Halden in Vorarlberg. Eine genealogische Studie”, in Jahrbuch der Heraldisch-Genealogischen Gesellschaft ‘Adler’, Jg. 1951/54, Folge 3, vol. 3 (Vienna 1954), p. 30-43.

Quoting from Frey’s email to me: “We once had a set with these exact armorial stamps - Leibniz’s Codex juris gentium diplomaticus (Hannover, 1693), which later ended up in the library of King Ernst August I of Hanover (1771-1851). King George V of Hanover later presented the set to the historian Onno Klopp, who followed the King into exile to Vienna. The set then turned up in the library of the Vienna Discalced Augustinians, from where we acquired it.” It turns out that Frey’s firm sold this set to our next-door neighbors, the Beinecke Rare Book and Manuscript Library.

 

Additional help came from Susan L’Engle of the Vatican Film Library, St. Louis University, and from Klaus Graf.

MIKE WIDENER

Rare Book Librarian

 

February 16, 2010

Fragment: Gradual (Italy)
Date: c. 1425-1525

Found in: Naples (Kingdom). Capitula regni una cum apparatu, ac utilissimis, et necessariis prioribus. [Campagna: Domenico Nibbio], 1561.

This cover is made from an Italian gradual and features part of the tract (tractus) from the Mass on Holy Saturday, the day before Easter. Tracts replaced the alleluia chants during Lent and other penitential times of the liturgical year. Early tracts consisted of verses from a single psalm, but this later example is based on Matthew 21:33. In its entirety, the tract reads, “Et maceriam circumdedit et circumfodit et plantavit vineam Soreth et hedificavit turrim in medio ejus.” That is, “And he enclosed it with a wall, and surrounded it by a trench; then he planted a vineyard of Sorec grapes, and he built a tower in the middle of it.”

While most of the manuscript fragments in this exhibit were recycled into bindings centuries ago, this one was probably used fairly recently, perhaps early in the 20th century (the Law Library acquired this volume in 1947). It was not uncommon for booksellers to use the large pages from manuscript graduals and other choir books to re-cover volumes as a way to make early books more attractive. In fact, some German monastic libraries had been doing the same thing since the 17th century.

     – Notes by Benjamin Yousey-Hindes, Stanford University

POSTSCRIPT: Thanks to Richard Rouse (UCLA) for clarifying the origin of the manuscript fragment, and to William Mahrt (Stanford University) for the following: “The text is an Old Testament canticle (I think from Isaiah), Matthew is only quoting it. Tracts are Psalm texts, but for Holy Saturday, the pieces are on canticles (from other books of the O.T.); they are set to the same kind of melodies as mode-eight tracts of Lent, and so are sometimes called tracts, but are more properly called canticles. Their melodies are the simplest usage of the tract formulae, simpler than the other tracts. The incipit of the canticle is ‘Vinea facta est’.”

Larger versions of this and other images are available from the Medieval binding fragments gallery of the Rare Book Collection’s Flickr site. If you can provide additional information about the manuscript fragment displayed here, you are invited to send an email to .

“Reused, Rebound, Recovered: Medieval Manuscript Fragments in Law Book Bindings” is curated by Benjamin Yousey-Hindes and Mike Widener, and is on display through May 2010 in the Rare Book Exhibition Gallery, Level L2, Lillian Goldman Law Library, Yale Law School.

February 16, 2010

Fragment: Unknown
Date: c.1475-1525
Found in: Caccialupi, Giovanni Battista. De pesionibus tractatus uere aureus. Rome: F. Minizio Calvo, 1531.

The vast majority of medieval manuscript fragments found in the Law Library’s bindings are in Latin, but not all of them. In addition to the two Hebrew fragments elsewhere in this exhibit, there is a large, later fragment in what appears to be a form of German, and two very late fragments in French. All three of these fragments are awaiting definitive identification. One of the French fragments (perhaps a deed of sale for a piece of property?) is seen here being used as a “wrapper,” a means of protecting a printed text without applying a hard cover.

     – Notes by Benjamin Yousey-Hindes, Stanford University

Larger versions of this and other images are available from the Medieval binding fragments gallery of the Rare Book Collection’s Flickr site. If you can provide additional information about the manuscript fragment displayed here, you are invited to send an email to .

“Reused, Rebound, Recovered: Medieval Manuscript Fragments in Law Book Bindings” is curated by Benjamin Yousey-Hindes and Mike Widener, and is on display through May 2010 in the Rare Book Exhibition Gallery, Level L2, Lillian Goldman Law Library, Yale Law School.

February 16, 2010

 

Fragment: Missal (France?)
Date: c. 1150-1225

Found in: La Pape, Guy de. Lectura subtilis et aurea … Guidonis Pape. [Lyons: for Simon Vincent?, 1517.]

The parchment cover for this 16th-century book is made from a medieval missal. The folio visible here contains the chants, prayers, and readings for celebrating Mass on the first Sunday after Easter, the Octava Paschae. The service opens with the introit (introitus), an antiphon sung as the priest approached the altar. Here the text is accompanied by neumes (early musical notes) that appear to be of the German or Saint Gallen variety. Next comes the collect (oratio), the prayer said before the Epistle reading, which here begins “Presta quaesumus omnipotens…” The Epistle reading is 1 John 5:4-10, and it is followed by the Gospel reading, which starts with John 20:24. Along the deteriorating spine of the book you may be able to see that additional manuscript fragments were used as linings.

    – Notes by Benjamin Yousey-Hindes, Stanford University

POSTSCRIPT: Thanks to Richard Rouse (UCLA) for clarifying the origin of the manuscript fragment.

Larger versions of this and other images are available from the Medieval binding fragments gallery of the Rare Book Collection’s Flickr site. If you can provide additional information about the manuscript fragment displayed here, you are invited to send an email to .

“Reused, Rebound, Recovered: Medieval Manuscript Fragments in Law Book Bindings” is curated by Benjamin Yousey-Hindes and Mike Widener, and is on display through May 2010 in the Rare Book Exhibition Gallery, Level L2, Lillian Goldman Law Library, Yale Law School.

February 16, 2010

Thanks to the following individuals for their assistance in the preparation of this exhibit:

 

Moshe Bar Asher

Academy of the Hebrew Language

Binyamin Elizur

Academy of the Hebrew Language

Ezra Chwat

National Library of Israel

Margot Fassler

Yale University

Shana Jackson

Lillian Goldman Law Library

Ivan Marcus

Yale University

Laura Saetveit Miles

Yale University

Michael Rand

Academy of the Hebrew Language

Anders Winroth

Yale University

 Thanks also to our colleagues in the blogosphere who helped spread the word about the exhibit, including:

Finally, thanks to all the members of the Medieval Academy of America who attended an open house for the exhibit on March 19, 2010, during the Academy’s 2010 Annual Meeting, and especially to those who provided additional information on the manuscripts on display: Elizabeth Brown (CUNY), George Brown (Stanford University), Lisa Fagin Davis (Simmons College), Consuelo Dutschke (Columbia University), Dennis Dutschke (Arcadia University), Joseph Dyer (University of Massachusetts-Boston), David Ganz (King’s College London), Susan L’Engle (St. Louis University), William Mahrt (Stanford University), Hope Mayo (Harvard University), Richard Rouse (UCLA), Matthew Salisbury (University of Oxford), Alison Stones (University of Pittsburgh), Rod Thomson (University of Tasmania), Linda Voigts (University of Missouri-Kansas City), and Mary Wolinski (Western Kentucky University).

– Benjamin Yousey-Hindes & Mike Widener, curators

 ”Reused, Rebound, Recovered: Medieval Manuscript Fragments in Law Book Bindings” is on display through May 2010 in the Rare Book Exhibition Gallery, Level L2, Lillian Goldman Law Library, Yale Law School.

 

February 16, 2010

Fragment: Antiphonal (Italy)
Date: c. 1050-1150
Found in: Denari, Odofredo. Refugium advocatorum. Milan: Giovanni Giacomo da Legnano, [1522].

The unassuming example presented here is one of the more unusual medieval items in the Law Library’s collection. Originally, this 16th-century book was covered with a piece of parchment from a medieval antiphonal with music for the divine office on the feast of Saint Paul (January 25). At some point the parchment fell off or was removed, leaving behind a remarkably clear ink transfer of the music and text on the board beneath. Although the writing appears in reverse as a result of the transfer, it is possible to make out the text as well as a series of musical notes (called “neumes”). These neumes are arranged around a single red line which, according to letter-clefs in the margin, marks the F-line. Approximately fifteen different styles of medieval neumes have been identified, and this fragment has characteristics of the Beneventan and Messine varieties. Much of our understanding of the history of medieval musical notation has relied on fragments found in localized bindings.

   – Notes by Benjamin Yousey-Hindes, Stanford University

POSTSCRIPT: Thanks to Richard Rouse (UCLA) for clarifying the origin of the manuscript fragment.

Larger versions of this and other images are available from the Medieval binding fragments gallery of the Rare Book Collection’s Flickr site. If you can provide additional information about the manuscript fragment displayed here, you are invited to send an email to .

“Reused, Rebound, Recovered: Medieval Manuscript Fragments in Law Book Bindings” is curated by Benjamin Yousey-Hindes and Mike Widener, and is on display through May 2010 in the Rare Book Exhibition Gallery, Level L2, Lillian Goldman Law Library, Yale Law School.

February 16, 2010

Fragment: Breviary (Germany)
Date: c. 1150-1200
Found in: Mascardi, Alderano. Communes i. v. conclusiones, ad generalem quorum cunque statutorum interpretationem acommodatae. Frankfurt: Wolfgang Richter, 1609.

The fragment of a breviary seen here was cut in half to make the cover for this book, and it remained in place for almost four hundred years, accented by decorative pieces of stamped leather. When a bomb exploded in the Law School in May 2003, the book got wet, causing parts of the cover to come unglued. When the book was repaired, the cover was removed completely, allowing us to see both sides of the fragment. What we find is a portion of the service for Lauds on the eleventh Sunday after Pentecost. The end of the reading (from Proverbs) is followed by the lesson (attributed to the theologian Bede around 700), and an antiphon based on the Gospel passage that forms the subject of that lesson (Luke 8:10-13). The neumes here are of the Messine variety, arranged on a four-line staff with the F-line in red.

   – Notes by Benjamin Yousey-Hindes, Stanford University

POSTSCRIPT: Thanks to Richard Rouse (UCLA) for clarifying the origin of the manuscript fragment, and to George Brown (Stanford University) for correcting the identity of the text and its attribution to Bede.

Larger versions of this and other images are available from the Medieval binding fragments gallery of the Rare Book Collection’s Flickr site. If you can provide additional information about the manuscript fragment displayed here, you are invited to send an email to .

“Reused, Rebound, Recovered: Medieval Manuscript Fragments in Law Book Bindings” is curated by Benjamin Yousey-Hindes and Mike Widener, and is on display through May 2010 in the Rare Book Exhibition Gallery, Level L2, Lillian Goldman Law Library, Yale Law School.

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