Rare Books Blog

February 28, 2010

I have two people to thank for independently solving my Provenance Puzzle #2: my friend the San Antonio tax attorney and bibliophile Farley Katz, and Christopher Frey of Antiquariat Inlibris Gilhofer in Vienna.

The armorial stamp, shown at left, is of the Austrian nobleman Joseph Anton von der Halden (1665-1728) from Vorarlberg, who was created Baron in 1686. The letters around the border of the stamp, “I A E V D H F Z A H Z A V O”, stand for “Ioseph Anton Eusebius von der Halden Freiherr zu Authenried Herr zu Anhofen und Ochsenbrunn.”

This stamp is found on fourteen folio volumes that came to the Lillian Goldman Law Library as part of the Roman-Canon Law Collection of the Association of the Bar of the City of New York. They are all bound in stamped pigskin over wooden boards with rounded spines.

Farley Katz provided his solution via the wonderful Can You Help? website sponsored by the Consortium of European Research Libraries (CERL) and operated by Dr. David Shaw. It enables users to post images and descriptive information for bookplates, armorial stamps, and other provenance evidence that they cannot identify, in the hopes that others can provide answers. It’s crowd-sourcing for provenance research. Farley’s solution to Provenance Puzzle #2 can be found here.

Christopher Frey provided an additional source for von der Halden: Alexander Schneder, “Die Von der Halden in Vorarlberg. Eine genealogische Studie”, in Jahrbuch der Heraldisch-Genealogischen Gesellschaft ‘Adler’, Jg. 1951/54, Folge 3, vol. 3 (Vienna 1954), p. 30-43.

Quoting from Frey’s email to me: “We once had a set with these exact armorial stamps - Leibniz’s Codex juris gentium diplomaticus (Hannover, 1693), which later ended up in the library of King Ernst August I of Hanover (1771-1851). King George V of Hanover later presented the set to the historian Onno Klopp, who followed the King into exile to Vienna. The set then turned up in the library of the Vienna Discalced Augustinians, from where we acquired it.” It turns out that Frey’s firm sold this set to our next-door neighbors, the Beinecke Rare Book and Manuscript Library.

 

Additional help came from Susan L’Engle of the Vatican Film Library, St. Louis University, and from Klaus Graf.

MIKE WIDENER

Rare Book Librarian

 

February 16, 2010

Thanks to the following individuals for their assistance in the preparation of this exhibit:

 

Moshe Bar Asher

Academy of the Hebrew Language

Binyamin Elizur

Academy of the Hebrew Language

Ezra Chwat

National Library of Israel

Margot Fassler

Yale University

Shana Jackson

Lillian Goldman Law Library

Ivan Marcus

Yale University

Laura Saetveit Miles

Yale University

Michael Rand

Academy of the Hebrew Language

Anders Winroth

Yale University

 Thanks also to our colleagues in the blogosphere who helped spread the word about the exhibit, including:

Finally, thanks to all the members of the Medieval Academy of America who attended an open house for the exhibit on March 19, 2010, during the Academy’s 2010 Annual Meeting, and especially to those who provided additional information on the manuscripts on display: Elizabeth Brown (CUNY), George Brown (Stanford University), Lisa Fagin Davis (Simmons College), Consuelo Dutschke (Columbia University), Dennis Dutschke (Arcadia University), Joseph Dyer (University of Massachusetts-Boston), David Ganz (King’s College London), Susan L’Engle (St. Louis University), William Mahrt (Stanford University), Hope Mayo (Harvard University), Richard Rouse (UCLA), Matthew Salisbury (University of Oxford), Alison Stones (University of Pittsburgh), Rod Thomson (University of Tasmania), Linda Voigts (University of Missouri-Kansas City), and Mary Wolinski (Western Kentucky University).

– Benjamin Yousey-Hindes & Mike Widener, curators

 ”Reused, Rebound, Recovered: Medieval Manuscript Fragments in Law Book Bindings” is on display through May 2010 in the Rare Book Exhibition Gallery, Level L2, Lillian Goldman Law Library, Yale Law School.

 

February 16, 2010

 

Fragment: Missal (France?)
Date: c. 1150-1225

Found in: La Pape, Guy de. Lectura subtilis et aurea … Guidonis Pape. [Lyons: for Simon Vincent?, 1517.]

The parchment cover for this 16th-century book is made from a medieval missal. The folio visible here contains the chants, prayers, and readings for celebrating Mass on the first Sunday after Easter, the Octava Paschae. The service opens with the introit (introitus), an antiphon sung as the priest approached the altar. Here the text is accompanied by neumes (early musical notes) that appear to be of the German or Saint Gallen variety. Next comes the collect (oratio), the prayer said before the Epistle reading, which here begins “Presta quaesumus omnipotens…” The Epistle reading is 1 John 5:4-10, and it is followed by the Gospel reading, which starts with John 20:24. Along the deteriorating spine of the book you may be able to see that additional manuscript fragments were used as linings.

    – Notes by Benjamin Yousey-Hindes, Stanford University

POSTSCRIPT: Thanks to Richard Rouse (UCLA) for clarifying the origin of the manuscript fragment.

Larger versions of this and other images are available from the Medieval binding fragments gallery of the Rare Book Collection’s Flickr site. If you can provide additional information about the manuscript fragment displayed here, you are invited to send an email to .

“Reused, Rebound, Recovered: Medieval Manuscript Fragments in Law Book Bindings” is curated by Benjamin Yousey-Hindes and Mike Widener, and is on display through May 2010 in the Rare Book Exhibition Gallery, Level L2, Lillian Goldman Law Library, Yale Law School.

February 16, 2010

Fragment: Antiphonal (Italy)
Date: c. 1050-1150
Found in: Denari, Odofredo. Refugium advocatorum. Milan: Giovanni Giacomo da Legnano, [1522].

The unassuming example presented here is one of the more unusual medieval items in the Law Library’s collection. Originally, this 16th-century book was covered with a piece of parchment from a medieval antiphonal with music for the divine office on the feast of Saint Paul (January 25). At some point the parchment fell off or was removed, leaving behind a remarkably clear ink transfer of the music and text on the board beneath. Although the writing appears in reverse as a result of the transfer, it is possible to make out the text as well as a series of musical notes (called “neumes”). These neumes are arranged around a single red line which, according to letter-clefs in the margin, marks the F-line. Approximately fifteen different styles of medieval neumes have been identified, and this fragment has characteristics of the Beneventan and Messine varieties. Much of our understanding of the history of medieval musical notation has relied on fragments found in localized bindings.

   – Notes by Benjamin Yousey-Hindes, Stanford University

POSTSCRIPT: Thanks to Richard Rouse (UCLA) for clarifying the origin of the manuscript fragment.

Larger versions of this and other images are available from the Medieval binding fragments gallery of the Rare Book Collection’s Flickr site. If you can provide additional information about the manuscript fragment displayed here, you are invited to send an email to .

“Reused, Rebound, Recovered: Medieval Manuscript Fragments in Law Book Bindings” is curated by Benjamin Yousey-Hindes and Mike Widener, and is on display through May 2010 in the Rare Book Exhibition Gallery, Level L2, Lillian Goldman Law Library, Yale Law School.

February 16, 2010

Fragment: Breviary (Germany)
Date: c. 1150-1200
Found in: Mascardi, Alderano. Communes i. v. conclusiones, ad generalem quorum cunque statutorum interpretationem acommodatae. Frankfurt: Wolfgang Richter, 1609.

The fragment of a breviary seen here was cut in half to make the cover for this book, and it remained in place for almost four hundred years, accented by decorative pieces of stamped leather. When a bomb exploded in the Law School in May 2003, the book got wet, causing parts of the cover to come unglued. When the book was repaired, the cover was removed completely, allowing us to see both sides of the fragment. What we find is a portion of the service for Lauds on the eleventh Sunday after Pentecost. The end of the reading (from Proverbs) is followed by the lesson (attributed to the theologian Bede around 700), and an antiphon based on the Gospel passage that forms the subject of that lesson (Luke 8:10-13). The neumes here are of the Messine variety, arranged on a four-line staff with the F-line in red.

   – Notes by Benjamin Yousey-Hindes, Stanford University

POSTSCRIPT: Thanks to Richard Rouse (UCLA) for clarifying the origin of the manuscript fragment, and to George Brown (Stanford University) for correcting the identity of the text and its attribution to Bede.

Larger versions of this and other images are available from the Medieval binding fragments gallery of the Rare Book Collection’s Flickr site. If you can provide additional information about the manuscript fragment displayed here, you are invited to send an email to .

“Reused, Rebound, Recovered: Medieval Manuscript Fragments in Law Book Bindings” is curated by Benjamin Yousey-Hindes and Mike Widener, and is on display through May 2010 in the Rare Book Exhibition Gallery, Level L2, Lillian Goldman Law Library, Yale Law School.

February 16, 2010

 

Fragment: Breviary (England)
Date: c. 1225-1325
Found in: [Year Books, Edward III.] Regis pie memorie Edwardi Tertii a quadragesimo ad quinquagesimum. London: Richard Tottell, 1565.

 

Here we find a good example of how 15th- and 16th-century bookbinders used fragments of medieval manuscripts as “strengtheners.” Strengtheners are strips of parchment or paper that were wrapped around the inner edge of the first and last sections of a book in order to protect them at the point where the paper might otherwise rub against rough portions of the binding. The Law Library has about twenty-five early books with visible fragments of medieval manuscripts used as guards in this way. While most are not large enough to be displayed well, some of the fragments can be identified. As we learn more about the bookbinding trade in the first several decades of print, even small fragments will become valuable pieces of evidence about the distribution of manuscripts in the late Middle Ages.

The strengthener seen here is from a breviary with both sides featuring elements of the Divine Office for Holy Thursday (the Thursday before Easter). On the left side we see a decorated initial “A” beginning the first reading for the service of Matins (Lamentations 1:1-2). On the right side we see pieces of the music and text for short liturgical chants called “antiphons,” which were used to introduce the Psalms during Lauds. Notice how the initials in the antiphons have been lightly decorated with little faces.

   – Notes by Benjamin Yousey-Hindes, Stanford University

POSTSCRIPT: Thanks to Richard Rouse (UCLA) for clarifying the origin of the manuscript fragment.

Larger versions of this and other images are available from the Medieval binding fragments gallery of the Rare Book Collection’s Flickr site. If you can provide additional information about the manuscript fragment displayed here, you are invited to send an email to .

“Reused, Rebound, Recovered: Medieval Manuscript Fragments in Law Book Bindings” is curated by Benjamin Yousey-Hindes and Mike Widener, and is on display through May 2010 in the Rare Book Exhibition Gallery, Level L2, Lillian Goldman Law Library, Yale Law School.

February 16, 2010

Fragment: Mahzor
Date: c. 1300-1500
Found in: Parsons, Robert. Elizabethae reginae Angliae edictum promulgatum Londini 29. Novemb. anni M.D. XCI. [Rome?: s.n.], 1593.

Alongside the many pieces of the Christian liturgy preserved in the Law Library’s bindings, we find a reminder that medieval Europe was home to many vibrant Jewish communities as well. Michael Rand, of the Academy of the Hebrew Language in Jerusalem, has identified the fragment seen here is a folio from a mahzor, a Jewish service book used on the high holidays (Rosh Hashanah and Yom Kippur) and the pilgrimage festivals (Passover, Shavuot, and Sukkot). According to Rand, the folio features a liturgical poem (piyyut) of a type called yotzer. This yotzer was used to celebrate Shavuot (which falls seven weeks after Passover and corresponds to the Christian feast of Pentecost). It is titled “Ayelet Ahevim Matnat Sinai” and deals with the revelation to Moses on Mount Sinai. The yotzer bears the name “Shim’on” in the acrostic, which has led some scholars to speculate that it was composed by the 10th-century poet Shim’on bar Yitshaq of Mainz. Rand points out that this particular poem was employed in the Ashkenazic, Roman (i.e. Italian), and Romaniote (i.e., Byzantine) prayer rites, and the formal script found here (called “square script”) appears to be Italian.

This fragment has been added to the online catalog of Hebrew manuscripts maintained by the Department of Manuscripts, National Library of Israel; the record (in Hebrew) can be viewed here. Thanks to Dr. Ezra Chwat of the National Library of Israel for cataloging the fragment and providing additional information about it.

     – Notes by Benjamin Yousey-Hindes, Stanford University

Larger versions of this and other images are available from the Medieval binding fragments gallery of the Rare Book Collection’s Flickr site. If you can provide additional information about the manuscript fragment displayed here, you are invited to send an email to .

“Reused, Rebound, Recovered: Medieval Manuscript Fragments in Law Book Bindings” is curated by Benjamin Yousey-Hindes and Mike Widener, and is on display through May 2010 in the Rare Book Exhibition Gallery, Level L2, Lillian Goldman Law Library, Yale Law School.

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