The American trials collection grew by thirty titles in Spring 2008. These included The Fall River Tragedy: A History Of The Borden Murders (1893); a bizarre recreation of the Lindbergh kidnapping (Criminal File Exposed!, 1933): the Amistad trial (New England Anti-Slavery Almanac, 1841; see image ar right); the adultery trial of the Rev. Joy Fairchild (Boston, 1845); censorship of abolition literature (Remarks on the Decision of the Appeal Court of South-Carolina, in the Case of Wells, 1835), sidewalk preaching in New York City (Account of the Trial of John Edwards, 1822); Rev. Henry Ward Beecher’s adultery trial (True History of the Brooklyn Scandal, 1878), and murder trials aplenty (The Most Foul and Unparalleled Murder in the Annals of Crime: Life and Confession of Reuben A. Dunbar, 1851; Account of the Short Life and Ignominious Death of Stephen Merrill Clark, 1821; Trial of Henry G. Green, for the Murder of His Wife, 1845; Trial of Rev. Mr. Avery, 1833; Report of the Trial of William Henry Theodore Durrant, 1899).
Seven titles were added to the William Blackstone Collection. The most notable is an apparently unrecorded variant of Eller 180, Commentaire sur le code criminel d’Angleterre (2 vols., 1776), still in its original paper wrappers. Two somewhat ephemeral items testify to Blackstone’s role in debates through the years. Our Legal Heritage (2001), by Judge Roy Moore, the Chief Justice of Alabama who lost his judgeship for refusing to remove the Ten Commandments from his courtroom, contains a lengthy excerpt from Blackstone with commentary by Judge Moore. An 8-page pamphlet by the English mystic John Ward is titled This penny book proves clearly that the bishops and clergy are religious imposters, who falsely pretend to an extraordinary commissio[n] from Heaven, and terrify and abuse the Peop[le] with false denunciations of judgment, and as suc[h] by the present laws of England, according [to] Blackstone’s Commentaries, vol. IV, p. 62, a[re] liable to fine. imprisonment, and infamo[us] corporeal punishment. This pamphlet also contains a true song, of 18 verses, against priestcraft and oppression to be sung to the tune of the Vicar and Moses (Birmingham, 1832).
Another 18 volumes of Italian statutes and related treatises were acquired, including statutes of Vicenza (1675), Trento (1640), and Milan (1800), as well as ordinances for the notaries’ guild of Cremona (1597), the Bergamo marketplace (1701), the legal profession in Bergamo (1795), and the pawnbrokers of Vicenza (1676). The 1718 edition of the agricultural statutes of Rome, Gli statuti dell’ agricoltura, includes illustrations of the life cycle of locusts.
In all, thirty of the titles acquired in Spring 2008 sported illustrations. San Antonio tax attorney Farley P. Katz donated two long-sought French codes filled with colorful and humorous images by the illustrator Joseph Hémard: the deluxe edition of Code général des impôts directs et taxes assimilées (1944; see image at right), and Code civil: Livre premier, Des personnes (1925). Katz recently published a study of Hemard’s tax code that reproduces several of the illustrations: “The Art of Taxation: Joseph Hémard’s Illustrated Tax Code,” 60 Tax Lawyer 163 (2006). We acquired two more illustrated French codes perhaps inspired by Hémard: the Code Napoléon rendered into verse with 60 risqué woodcuts by Pierre Noël (1932-33), and the Code Pénal (1950) with illustrations by Jean Dratz (1950). The Coutumes generales d’Artois (1756) has eight large woodcuts depicting the judicial process. Joost de Damhoudere’s Practycke in criminele saecken (1642) has dozens of woodcuts depicting crimes and criminal procedure.
Rare Book Librarian