Exhibits

Thanks to the following individuals and institutions for their assistance in preparing this exhibit: Kathryn James Curator for Early Modern Books and Manuscripts, Beinecke...
This glimpse at the imagery of Justice makes plain the richness of its history and signification. Didactic emblems addressed fears of corruption, of irrational authority,...
Dumont, Jean. Corps universel diplomatique du droit des gens (8 vols.; Amsterdam: P. Brunel [etc.], 1726-31), vol 1. Lillian Goldman Law Library. Jean Dumont...
A clear-sighted Justice is at the center of the frontispiece to a 1788 German edition of Cesare Beccaria’s On Crimes and Punishment, first published in 1764. Beccaria...
The engraved title page of Bernard van Zutphen’s Practycke der nederlansche rechten van de daghelijcksche soo civile als criminele (Dutch Law and Practice in Civil and...
By the sixteenth century, the blindfold had come to be seen as a potentially positive constraint on earthly Justice, seen to be at risk of corruption or of misplaced passion...
A rare and intriguing portrayal of a two-faced Justice, titled “A Portrait of Worldly Justice,” comes from a popular sixteenth-century guide to civil procedure by the Flemish...
Alciati, Andrea. Opera omnia (4 vols.; Basel: Thomas Guarinus, 1582), vol. 4. Lillian Goldman Law Library. Where might Ripa have gotten the blindfold? One possible source is...
Two codifiers of Renaissance iconography, Cesare Ripa and Andrea Alciati, generated compendia of icons and emblems, replayed by didactic invocations in art and literature, in...
“The Fool Blindfolding Justice” was not the only image of that era deploying a blindfold as a warning against judicial error, as can be seen from the 1508 and 1580 editions...

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